“Physics is not the most important thing. Love is.” –Richard Feynman
I was never any good at math, and have never taken a physics class, but a few years ago I realized what fascinating subjects they were. I first heard the term “math camp” on an episode of the TV show Frasier ... [Read Song Comments]
͞More than any other contemporary singer or songwriter, Lorraine Feather has captured the heart and soul of the contemporary "I".
͞The most skillful of the new crop of lyricists ... her work blooms and stands out from the rest.
She's one courageous writer. She executes this high-wire act without a net and lands on her feet every time.
Tom Danna - PM Magazine
͞Remarkable. The songs conform abstract thought into song ... ingenious vocal acrobatics.
Lynn René Bayley - Fanfare
͞Much more than a mere jazz singer ... one of the most exceptional lyric-writers of our day, a sort of hipper, post-modern Lorenz Hart.
Paul Freeman - San Jose Mercury News
͞A hip, happening, very unusual approach to jazz ... wonderfully offbeat.
Chris Spector - Midwest Record
͞Finds the sweet spot where Kurt Weil, jazz period Joni Mitchell and Dave Frishberg might have collaborated ... simply a mind-blower.
Jeff Simon - Buffalo News
͞Fierce wit and literacy ... probably the most unusual singer in America, [and] the most underrated musical figure around.
Bill Falconer - Coda
͞Paints imaginative word pictures that are rhythmically complex, yet as clear as her voice.
Steve Horowitz - PopMatters
͞Very strange and marvelous ... [her] vocal control is breathtaking ...Feather passionately shows that what we conceal reveals more than what we display.
Thomas R. Erdmann
͞Brooding, dark, mournful and fun ... that Feather has hit her full musical maturity is beyond question; that she has hit her peak is still in doubt.
Carol Banks Weber
͞Lorraine Feather is that rare artist who can make time stand still ... She could very well be the O. Henry of jazz.
Carl Hager - All About Jazz
͞Emotional, sardonic, hilariously poignant and piquant ...The lyrics are evocative and deeply imbued with her edgy trademarks ...
Chip Deffaa - The New York Post
͞What a joy, what a delight ... surprise-filled lyrics ...[her songs] seem to shimmer between past and present ...
Bob Karlovits - Pittsburgh Tribune-Review
͞She shares a remarkable skill with Paul Simon, Billy Joel and Ira Gershwin ... but Feather goes a different direction with her talents ... twisted humor ... a nouveau bebop sound ...
Hugo Kugiya - The Seattle Times
͞To simply call her a singer, detracts from what truly sets her apart ... her ability to put into words the small and profound incongruities of life.
͞A natural storyteller ... delivering her clever verbal conceits with marvelous clarity.
Ken Dryden - All Music Guide
͞Easily one of the most creative lyricists of her generation ... Feather͛s skills as an actress and her infectious, versatile voice add to her appeal.
Elzy Kolb - Jazziz
͞Intricate and intelligent ... her delivery easy but never facile ... Lorraine Feather͛s voice, lyrics, and original point of view measure up to her roots.
Christopher Loudon - Jazz Times
͞What can be said that hasn͛t already been said of Lorraine Feather? A pop and fizz worthy of Annie Ross at the height of her vocalese powers ... pure genius.
Carol Sloane - Down Beat
͞Energetic, enchanting, and exceptional ... She͛s utterly comfortable and confident ... sings her meticulous, clever poetry in a silvery, light voice.
Tony Gieske - The Hollywood Reporter
͞Her stuff glitters and gleams and makes you think of Dorothy Parker or Norah Ephron ... Feather͛s voice is intimate and agile ... her words witty, nostalgic, critical, fanciful, bitchy and romantic by turns.
Howard Reich - Chicago Tribune
͞Great jazz lyricists are not easy to find ... Feather can turn a phrase with the best of them. Her nimble style does justice to both melody and lyrics.
Don Heckman - The Los Angeles Times
͞Stunning complexities ... tricky inner rhymes, offbeat stories ... astonishing vocal dexterity.
Stephen Holden - The New York Times
͞Zany observations ... a conversational ease ... suggests Dave Frishberg in double time, mixed with the antic playfulness of Jon Hendricks.